Artículos y capítulos de libros


Cristóbal Lozano, “Generative Approaches”, en _ N. Tracy-Ventura & M. Paquot (Eds.), The Routledge Handbook of Second Language Acquisition and Corpora_ (Routledge, 2021), pp. 213-227.


Encarnación Hidalgo Tenorio, “Trump’s Populist Discourse and Affective Politics, or on How to Move ‘the People’ through Emotion”, en _Globalisation, Societies and Education_  (Routledge, 2021), pp. 1-24.


Pilar Villar Argáiz, “Eavan Boland’s Poetry: The Inoperative Community”, en _The Wiley Blackwell Encyclopedia of Contemporary British and Irish Literature. Volume 1._ (John Wiley & Sons, Ltd., 2020), pp. 127-137.



Rocío Montoro, ''The Novel of the Future': Author's Manipulation in Henry Green's Nothing (1950) and Doting (1952)", en _S. Sorlin (Ed.), Stylistic Manipulation of the Reader in Contemporary Fiction_ (Bloomsbury, 2020), pp. 70-91.


Rocío G. Sumillera,“Political Medicine in Early Modern Spain, or How Physicians Counsel the King”, Sixteenth Century Journal, 51.2 (2020): 419-443.




Karin Vilar Sánchez, Lexical contact phenomena among Spanish migrants in Cologne”, en _ Andrew Lynch (Ed.), The Routledge Handbook of Spanish in the Global City_ (Routledge, 2020), pp. 387-405.

ImagenEncarnación Hidalgo Tenorio & Miguel Ángel Benítez Castro, “The Language of Evaluation in the Narratives by the Magdalene Laundries Survivors: The Discourse of Female Victimhood”, Applied Linguistics, (2020): 1-28. Imagen

Karin Vilar Sánchez, “It makes me feel smaller and at other times it gives me a rush. Experienced recognition in situations of migration and willingness to acquire a foreign communication style, en _Simons and Smits (Eds.), Language Education and Emotions_ (Routledge, 2020), pp. 76-93.

ImagenPaula Camacho, “Una Visión de Género del Londres Literario de los Años 20: el Empoderamiento de la Mujer a través de la Escritura sobre Cine”, en _Eva María Moreno Lago (Ed.), Pioneras, escritoras y creadoras del siglo XX_ (Ediciones Universidad de Salamanca, 2019), pp. 361-379. Imagen

Rocío Montoro and Dan McIntyre, "Subordination as a potential marker of complexity in serious and popular fiction: a corpus stylistic approach to the testing of literary critical claims", Corpora, 14.3 (2019): 275-299.

Imagen Margarita Carretero González, “Looking at the Vegetarian Body: Narrative Points of View and Blind Spots in Han Kang's The Vegetarian”, en _Laura Wright (Ed.), Through a Vegan Studies Lens. Textual Ethics and Lived Activism_ (University of Nevada Press, 2019), pp. 165-179.


Pilar Villar Argáiz,  “Secrecy, Alterity and Defiant Femininity in Eiléan Ní Chuilleanáin’s The Boys of Bluehill”, Irish University Review: A Journal of Irish Studies, 49.2 (2019): 370-389.

ImagenRocío Montoro, “Investigating Syntactic Simplicity in Popular Fiction: A Corpus Stylistics Approach”, en _ R. Page, B. Busse and N. Nørgaard (Eds.), Rethinking Language, Text and Context. Interdisciplinary Research in Stylistics in Honour of Michael Toolan_ (Routledge, 2019), pp. 60-75.

ImagenCristóbal Lozano, “Using Learner Corpus Methods in L2 Acquisition Research: The Morpheme Order Studies Revisited with Interlanguage Annotation”, RESLA (Spanish Journal of Applied Linguistics), 32.1 (2019): 83-124. Imagen

​Karin Vilar Sánchez, Sie sagen einfach, was sie denken“. Interkulturelle Kompetenz junger spanischer Migranten in Deutschland”, Zeitschrift für interkulturellen Fremdsprachenunterricht, 24.2 (2019): 459-493.


Paula Camacho, “Returning to Ezuversity: Feminism and Emancipation in the Letters of Ezra Pound to Forgotten Modernist Iris Barry, 1916-1917”, Atlantis. Journal of the Spanish Association for Anglo-American Studies, 41.2 (2019): 105-121.

ImagenMargarita Carretero González, “Catholic Law on Bullfighting”, en _Andrew Linzey & Clair Linzey (Eds.), The Routledge Handbook of Religion and Animal Ethics (Routledge, 2019), pp. 286-296.

ImagenKarin Vilar Sánchez, Estilo indirecto en la mediación interlingüística, intercultural y social del español al alemán, Babel, 65.2 (2019):175-199.


Pilar Villar Argáiz, “Ireland and the Popular Genre of Historical Romance: The Novels of Karen Robards”, ABEI: Brazilian Journal of Irish Studies, 20.2 (2018): 97-109.

ImagenCristóbal Lozano, “The Development of Anaphora Resolution at the Syntax-Discourse Interface: Pronominal Subjects in Greek Learners of Spanish”, Journal of Psycholinguistic Research, 47.2 (2018): 411-430.

ImagenMargarita Carretero González, “Un Nuevo Plato en el Menú de las Humanidades Ambientales: Los Estudios Veganos”, en _J. Albelda, J. M. Marrero Henríquez & J. M. Parreño (Eds.), Humanidades Ambientales: Pensamiento, Arte y Relatos para el Siglo de la Gran Prueba_ (La Catarata, 2018), pp. 218-232.

ImagenKarin Vilar Sánchez, No he visto nada de lo que has puesto. Gesichtswahrung im Spanischen mittels semantischer Generalisierung”, en _ Daniel Reimann, Ferrán Robles u Sabater, Raúl Sánchez Prieto (Eds.), Kontrastive Pragmatik in Forschung und Vermittlung. Deutsch, Spanisch und Portugiesisch im Vergleich, I_ (Narr Francke Attempto Verlag, 2018), pp. 109-122.

ImagenManuel Jiménez Raya & Flávia Vieira, “Teacher Education for Autonomy: Case Pedagogy as an Empowering Interspace between Reality and Ideals”, en _T. Lamb & G. Murray (Eds.), Space, Place and Autonomy in Language Learning_ (Routledge, 2018), pp. 97-112.

ImagenKarin Vilar Sánchez, Deutsch? – Das schaff ich schon! Spracherwerbsmotivation unter den spanischen Emigranten der neuen Generation”, German as a Foreign Language, 2.2016 (2016): 44-66. ImagenMargarita Carretero González, “The Posthuman that Could Have Been. Mary Shelley's Creature”, Relations. Beyond Anthropocentrism, 4.1 (2016): 53-64.

ImagenCristóbal Lozano, “Pragmatic Principles in Anaphora Resolution at the Syntax-Discourse Interface: Advanced English Learners of Spanish in the CEDEL2 Corpus”, en _M. Alonso Ramos (Ed.), Spanish Learner Corpus Research: Current Trends and Future Perspectives_ (John Benjamins, 2016), pp. 235-265.

ImagenRocío G. Sumillera, “From Inspiration to Imagination: The Physiology of Poetry in Early Modernity”, Parergon, 33.3 (2016): 17-42.

ImagenPilar Villar Argáiz, “The ‘Unfettered Freedom' of 'Flitting Bats': The Inoperative Community in James Joyce's A Portrait of the Artist as a Young Man”, James Joyce Quarterly, 52.3-4 (2015): 531-556.

ImagenRocío G. Sumillera, “Shakespeare's Hamlet in Twentieth-Century Spanish Poetry”, Bulletin of Hispanic Studies , 92.6 (2015): 645-665.

ImagenPaula Camacho, “Subtitling for International Film Festivals: An Interview with Dr Jorge Díaz-Cintas”, Translation Review, 92.1 (2015): 1-7.

ImagenRocío G. Sumillera, “Language Manuals and the Book Trade in England”, en _José María Pérez Fernández and Edward Wilson-Lee (Eds.), Translation and the Book Trade in Early Modern Europe_ (Cambridge University Press, 2014), pp. 61-80. ImagenPaula Camacho, “Los Subtítulos Cinematográficos: Un Puente Entre Culturas”, Oceánide, 6.6 (2014): digital. ImagenJosé María Pérez Fernández, “Andrés Laguna: Translation and the Early Modern Idea of Europe”, Translation and Literature, 21.3 (2012): 299-318.   ImagenJosé María Pérez Fernández, “From Compulsion to Virtue: Epic, Translation, and the Significance of Early Modern Blank Verse”, Cahiers Élizabéthains, 75.1 (2009): 1-16. ImagenJosé María Pérez Fernández, “Translation and Metrical Experimentation in Sixteenth-Century English Poetry: The Case of Surrey’s Biblical Paraphrases”, Cahiers Élizabéthains, 71.1 (2007): 1-13. 2009 University of Granada Research Award (Premio Universidad de Granada a Trabajos de Investigación de Excelencia, edición de 2009).
ImagenJosé María Pérez Fernández, “‘Wyatt Resteth Here’. Surrey’s Republican Elegy”, Renaissance Studies, 18.2 (2004): 208-238. 2005 University of Granada Research Award (Premio Universidad de Granada a Trabajos de Investigación de Excelencia, edición de 2005).